Development of cultural stone

At the beginning, CORONADO pioneered the use of plastic molds to create the first concrete artificial stone. Back then, the process was still in its early stages, resulting in poor quality and unattractive colors. However, despite these flaws, the material had unique advantages—its lightweight nature made it easy to replicate endlessly, and its color could be customized, making it stand out from natural stone. Initially, it was mainly used for church facades, where its aesthetic appeal and versatility caught attention.

In 1958, another family recognized the potential of this innovative material and decided to enter the market. They established a company called Stone Products and began producing similar stones, closely imitating those made in California. As Stone Products grew, they expanded into new regions. By the 1970s, their products had reached the western side of the Mississippi River. Employees of Coronado even suggested to their boss, Mel, that he explore business opportunities in other states. Eventually, Mel sold his technology to a small factory, collecting licensing fees in the process. By the end of the 1970s, Stone Products had grown into a major national business, covering almost the entire United States. It was later acquired by Owens and rebranded as Culture Stone.

As Culture Stone continued to evolve, the company remained committed to innovation. Every time they encountered a new type of stone, they would study it, adapt it, and develop new products. This continuous exploration led to a wide variety of styles and rich color options, making cultural stone more versatile and appealing to a broader audience. Over time, the brand became a leader in the artificial stone industry, setting trends and shaping the future of architectural design.

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